Archive for the ‘Maritime’ Category

George Cruikshank prints - The Sailors Progress series

Thursday, August 30th, 2007

Some Are Born Great by George CruikshankGeorge Cruikshank (1792-1878), was a noted cartoonist with a biting line in sarcasm and political satire. He was also the first illustrator of Oliver Twist, one of the greatest novels penned by his close friend, Charles Dickens, with such memorable pictures as ‘Oliver Asking For More’, and ‘Fagin In The Condemned Cell’. Their friendship ended when, later in life, the cartoonist became a passionate advocate for the temperance movement while Dickens remained opposed. Cruikshank was considered a great enough artist to be exhumed from his original burial place in order to be re-buried in St Paul’s Cathedral, London.

Wikipedia notes that “Cruikshank’s work included a personification of England named John Bull who was developed from about 1790 in conjunction with other British satirical artists such as James Gillray, and Thomas Rowlandson.” Gilray was one of his major influences and Cruikshank eventually replaced him as England’s most popular satirist.

Fitting Out by George CruikshankCruikshank’s series of 8 naval-themed cartoons lampoon prominent figures in military and political life. The cartoons, each labelled with a Plate number from No.1 to No.8, chronicle the career in the Royal Navy of Master Blockhead, who starts as a Midshipman. Our reproduction prints of the series were taken from original Victorian engraved editions and watercoloured for us by a skilled artist. The colours used were based on the colours in a set of the same cartoons in the Royal Naval Museum, Portsmouth, England. Our prints are reproduced by the giclee process using long-life archival quality materials.

These 8 naval cartoons and Frontispiece constitute The Sailors Progress series and are available from Artists Harbour webshop.

William Lionel Wyllie original etchings, prints and cards

Saturday, August 25th, 2007

Spitbank Fort by William Lionel WyllieThe artist William Lionel Wyllie RA was a dominant talent in British maritime art from the end of the 19th century until well into the 20th. His works are on display not only in Portsmouth Historic Dockyard at the Royal Naval Museum and here at Artists Harbour Gallery, but also at the National Maritime Museum in Greenwich, Tate Britain as well as other collections.

Wyllie was born in London in 1851 and became famous and successful through painting maritime scenes in both oil and watercolour, many of which he published as editions of etchings. Wyllie himself created the etchings from his own pictures.
His name spread, along with that of Charles Dixon, when he worked as an illustrator in the late Victorian era for the popular illustrated tabloids, The Graphic and the Illustrated London News.

A notable Wyllie artwork is a picture (”Come to Southsea and Board the Old Ship”) showing public access to Britain’s iconic 18th-century warship, HMS Victory, on which Admiral Lord Nelson died while leading the great 1805 defeat at Trafalgar of Napoleon’s ambitions to invade Britain. This picture is also for sale here.

For Ever England by William Lionel WyllieWyllie was a prime mover in the public campaign to get HMS Victory moved from lying idly out in the waters of Portsmouth Harbour on the English south coast to her current position in dry dock as a visitor attraction at Portsmouth Historic Dockyard, just a few yards from where current RN aircraft carriers and other warships come and go. She is now one of Britain’s favourite tourist attractions and is only a few yards from the remains of Tudor Warship Mary Rose. HMS Victory remains a serving warship in the Royal Navy and is the flagship of Britain’s Second Sea Lord.

Despite his failing eyesight and old age, near the end of his life Wyllie pushed himself to the limit physically and mentally to create the massive, 42ft.-wide semi-circular Panorama of the Battle of Trafalgar which can still be seen today in the Royal Naval Museum.

Artists Harbour sells original Wyllie etchings, modern reproduction prints of a number of Wyllie’s etchings and watercolours, greetings cards reproducing some of Wyllie’s works and DVDs about Wyllie. Go to Wyllie’s page on our webshop to see all the artworks we have in stock.

Southsea Common - PRINT

Thursday, August 16th, 2007

Southsea Common Print

This picture from a lithograph by A. Pernet is a detailed panorama of activity on Southsea seafront in 1865.

Apart from the paddle steamers taking tourists on pleasure trips, the army offficers riding on the common and the bathing machines protecting the modesty of those taking the waters, the scene is almost unchanged from what one sees today. The major exception would be that the pier on the left with its paddle steamer is today the landing place for hovercraft to the Isle of Wight.

This large print (1000 x 490 mm) is now available for £30 on our webshop.

The Embarkation of Henry VIII at Dover

Friday, August 10th, 2007

The Embarkation at Dover

The Embarkation at Dover
By an unknown artist, c.1545
The Royal Collection 2007, Her Majesty Queen Elizabeth II

This fabulous painting of the warship Mary Rose and some of the most important warships in Henry VIII’s early navy is one of the stars of this summer’s Young Henry VIII exhibition at Hampton Court Palace near London, the Tudor King’s most famous residence.

A series of important Tudor paintings are brought together in the exhibition alongside audiovisual displays, interactive touch screens and historic quotes to tell the story of dashing Prince Henry who founded what became the Royal Navy. Almost the first act of his reign was to order the building of the Mary Rose, a revolutionary warship – the first with gunports in her side to allow broadsides to be fired.

This picture, The Embarkation of Henry VIII at Dover, shows the Mary Rose and her sister warship the Great Harry in 1520 as Henry VIII set sail for a meeting with King Francis I of France – they had signed a peace treaty in 1518 – accompanied by 6,000 members of the English court.

The Embarkation at Dover - Print small

We can’t sell you the Queen’s picture of The Embarkation of Henry VIII at Dover from Hampton Court, but Artists Harbour has a magnificent print of it measuring 1240 x 658 mm. It is printed on glorious hand-made paper with specially made inks using engraved plates made c.1780 by artist Samuel Grimm and engraver James Basire. The result has then been hand-coloured. This truly magnificent and unique print is on sale for £750.

Trafalgar 200 International Fleet Review photos & DVD

Thursday, July 5th, 2007

Royal Navy logoT200 logoEXCLUSIVE - Under Licence from the Ministry of Defence

Artists Harbour sells photographic and art paper prints of Royal Navy photos from the Trafalgar 200 International Fleet Review (T200 IFR) plus the few remaining copies of the (all zones) DVD of the week’s events, including the brilliant fireworks in which 45 tons of high explosuives went up during the re-enactment of the Battle of Trafalgar!

Trafalgar 200 International Fleet ReviewProbably the biggest peacetime naval event the world will see throughout the whole of the 21st Century took place on Tuesday, June 28, 2005 in the Solent off Portsmouth, UK. A unique range of sea vessels filled the waters of the eastern Solent and aircraft and helicopters took part in thrilling fly-pasts.

The Royal Navy had invited 35 foreign navies and 24 maritime organisations from around the world to send a total of 105 warships and naval support ships plus 51 non-naval vessels to take part in friendship in the International Fleet Review to celebrate Trafalgar 200 ( T200 ) – 200 years since 1805, when at the Battle of Trafalgar Admiral Lord Horatio Nelson’s fleet finally destroyed Napoleon’s ability to invade Britain with his then invincible armies by sea. Nelson, in his famous flagship HMS Victory, died a hero at Trafalgar.

HMS Invincible, USS Saipan, FS Charles de GaulleVessels at the T200 International Fleet Review ranged from the massive USS Saipan and France’s Charles de Gaulle aircraft carriers to romantic tall ships under sail, tugs and Cunard’s famous QE2 luxury liner, as well as a huge contingent of all types of warship from the Royal Navy. Merchant ships, racing and cruising yachts, fishing boats and family and work boats were also there - a dramatic reminder of the importance of the sea in Britain’s national life.

The ships queued almost into Southampton as they were reviewed by Her Majesty The Queen, Elizabeth II, on waters that had seen the massive naval reviews of Victorian and Edwardian times – when Britain’s navy really did rule the waves and was always kept bigger than the combined might of the world’s next two biggest navies – all the way back to King Henry VIII inspecting his warships in the early 16th Century as he built the Royal Navy.


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